Neo-electro-funk is the dominant flavor on Takuya Kuroda’s Rising Son, the major-label debut for the Brooklyn-based, Japanese-born trumpeter, who is best known for his work with singer Jose James. James produces, lends his band for the session and sings on a soulful, chill-out version of Roy Ayers’ slinky “Everybody Loves the Sunshine.” Elsewhere, it’s mostly about Kuroda, whose music hints at the likes of ‘70s Miles and Donald Byrd, with blues-edged playing sometimes suggesting Lee Morgan. Fender Rhodes skronk, hand claps, swirling synthesizers, rolling percussion, deep bass synth and Nate Smith’s sticky drum-kit funk set the stage for Kuroda and trombonist Corey King on the title track, and guest guitarist Lionel Loueke amps the Afrobeat textures of “Afro Blues.” The acoustic “Mala” and mellow closer “Call” are among other standout numbers.