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Phoebe Bridgers: Lost Weekend

11:32 AM EDT on September 4, 2026

It is not remotely hyperbolic to say that singer-songwriter Phoebe Bridgers’ latest album, Lost Weekend, is one of indie rock’s most hyped-up and breathlessly anticipated releases of 2026. That’s certainly thanks to Bridger’s music—clever, deeply emotional songwriting set to subdued and haunting folk—but also the lack thereof: Lost Weekend is just her third album, and her first solo release in six years. In some ways, she’s been everywhere—winning a Grammy as part of boygenius, collaborating with SZA, opening for Taylor Swift—but this third album is years in the making.

So we’re thrilled to report: Phoebe Bridgers is back, and better than ever. Lost Weekend is a fitting next chapter for Bridgers’ musical evolution. 2020’s Punisher was a more orchestral, versatile expansion from the straight-ahead folk of 2017’s Stranger in the Alps—and Lost Weekend keeps pushing the edges of her sound in every direction.

There are tons of folks lending a hand here—Tony Berg, Jack Antonoff, Ethan Gruska and Alex G all co-produce with Bridgers. Big names like Chris Thile, Blake Mills and Bridger’s partner Bo Burnam show up in the credits, with many more. But the album never feels crowded—and nothing takes away from Bridgers’ intimate vocals.

With first single “Lost Boys,” Bridgers has written her catchiest song yet—a glimmering pop-rock singalong ode to men who “never grow up, never go home.” On “Never Going Back!” Bridgers takes a page from collaborator Conor Oberst for a gloriously ragged, rocking mantra (“Never going back again, the way it used to be is not the way that it is”) that dissolves into a sweet, loving voicenote from her father, who died in 2025. And on “Other Plans,” she’s whispering over ethereal piano, “Our love had other plans for us.” Bring tissues.

On “Bobby,” Bridgers is closest to her boygenius sound—a rock tune that kicks off with a shout and builds into gang vocals (“This could be the end”) before melting into ambient tones. 

Lost Weekend has tracks that stick on first listen, and tracks that slowly take shape. It’s heartbreaking and playful in turns. And for the many Phoebe fans who’ve patiently waited for another album of big emotional release: it certainly delivers.

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