Over the next 9 days between the anniversary of Jerry’s birth on August 1, 1942 through his untimely death on August 9, 1995, we’re going to run a series of artists’ commentaries on the life and legacy of Jerry Garcia. Here is our second installment. Click here to read reminiscences by members of Umphrey’s McGee, The Decemberists, The Meters, Megafaun and Strangefolk.

JIMMY HERRING (WIDESPREAD PANIC, AQUARIUM RESCUE UNIT)

Jerry Garcia’s music brought joy to millions of people… There is a fragile, timeless quality to his voice that separates him from all other singers. And his guitar playing is definitely an extension of that… He was very brave, in that he was absolutely fearless in his musical exploration in to the unknown.

He has left us with a vast catalog of some of the most beautiful ballads ever recorded… if I had to choose the thing I love most about him, it would be the ballads…

I am deeply honored to have been lucky enough to play his music with some of his band mates. This music had made a profound impact on me and I will continue listening to, and playing it for the rest of my life. His influence is far reaching and I’m sure he will be discovered and rediscovered for generations to come.

HENRY ROLLINS

I always thought Jerry Garcia was a musician whose talent was under mentioned. Having been lucky enough to have seen him perform a few times, I always walked away thinking he was a complete player, a musician’s musician. He had the whole thing: voice, chops, great looking axe. He had a perfect instinct, amazing skill and something that only the truly great guitarists ever achieve – Jerry Garcia had tone. Damn, what a sound he had. There is nothing like it anywhere. That for me, was the best part of his immense talent; the warm, intimate glow that surrounded the notes he played and the way they hung in the air. Sometimes you would almost forget to breathe, you were listening so intently.

AARON MAXWELL (GOD STREET WINE)

He was one of the reasons I got into playing guitar. One memory stands out for some reason. I was in San Francisco in the late 80s and I saw him play at this place called The Stone in San Francisco, which was a little club. It was a very intimate setting and I had only ever seen the Grateful Dead in Madison Square Garden or big places and to see him in that small place, and then afterwards, I saw him outside the club just like standing there and it was one of those experiences in my life where this larger than life figure was real to me. It was inspiring in that moment. So much of his music just came from a real soulful, truthful place and I really appreciate that whenever I think about him or if I’m trying to think about my inspiration, that’s where I want it to come from, a truthful place. I can look to him for that.

PAPA MALI (7 WALKERS)

I became aware of the Grateful Dead at the age of ten. I was already a little rock and roll kid – a mod dressing, guitar playing, record collecting, long haired (well, as long as I could get away with in conservative Shreveport) 5th grader – and when I saw a 1967 CBS News special on Haight Ashbury, hippies, LSD and The Grateful Dead, I knew that I wanted to be a part of it. The next day I told my cub scout den mother that when I grew up I wanted to move to San Francisco and become a hippie. We both knew right then that maybe I wasn’t cut out for scouting.

This turned out to be prophetic, though I wouldn’t realize it for years to come.

By the time I turned 16 it was now 1973 and I was a high schooler, getting pretty good on guitar and playing with anybody who had the same love of blues and roots music that I had developed. I was also steeped in the music of the Dead, but they didn’t tour much in the South and tape trading was not really happening yet in Louisiana – albums were all that was available to me and my small group of mostly college-aged friends. Nevertheless, we were buying up everything related to the Grateful Dead scene and having parties every weekend, where we’d trip on acid or mushrooms, play all the releases on vinyl by the Dead and try to recreate the total west coast psychedelic experience.

I was now reading books by Aldous Huxley and Carlos Casteneda as well as Timothy Leary and Ken Kesey. One book I read with great interest soon after it’s release was ‘Garcia’, a lengthy interview with Jerry published by Straight Arrow (Rolling Stone). As a young musician, it really gave me great insight that has guided me in the right direction all my life – about how not to fall into the ego trap and how to respect your fans.

Jerry’s first solo album came out around that same time and to this day it is one of my all time favorites. It wasn’t until many years later that I learned (from Billy) that this record was just Jerry and Billy in the studio, playing all the tracks and Hunter also in the studio, writing lyrics to the music as they were making it! Of course many of these classic songs became some of the most enduring and well-loved staples in the Grateful Dead’s live shows.

As my own musical path took on a life of it’s own and as I got older I never followed the Dead to the extent of ‘going on tour’ ( I had my own gigs to play) or building my lifestyle around them. Yet, I kept track of what they were doing and managed to catch a few shows over the years. And I always understood that they were unique and had changed the world somehow into a better place, by creating a large and ever expanding musical and spiritual family.

The fact that a few short years ago Bill and I met so randomly, became instant friends and began playing music together still blows my mind. The fact that these events has led to us forming a band, 7 Walkers and to me being a song writing partner with Robert Hunter is perhaps even more incredible! But as humbling as it all is, it works. Why? Perhaps it is because I am constantly aware of one simple fact: There is only one Jerry Garcia. Jerry’s own philosophy (which I had read so many years ago in his book) was simple and straightforward – no matter who you are, no matter what you do, do it well and take pride in it. In other words, I may get the incredible honor of playing and singing his songs with his beloved friend and drummer, Bill Kreutzmann. I may get to write songs with Hunter, one of the greatest literary figures of all time. But there is only one Jerry Garcia, and his style and shining spirit can be emulated – but never imitated or copied.

God bless Jerry Garcia and The Grateful Dead. May their music and their spirit live on forever and ever.